Taep Jamlaeng Butterfly King Amulet – made from a highly concentrated Muan Sarn Sacred Powder admixture, and 16 ‘Ploi Sek Maha Pokasap’ Gems (3 in the front face, and 13 in the rear face). this is the small ‘ Pim Lek’ model, and is an excellent choice for ladies, children and also for Gays.

Made in 2553 BE for the ‘Lai Sen’ edition (now a more famous and highly preferred edition), by Kroo Ba Krissana Intawano. Fancy stainless casing is included with this item. The casing has special decorative frame, with engraved patterns gracing the edges.

Taep Jamlaeng Butterfly King Amulet pink Kroo Ba Krissana Intawano

The front face of the amulet features the Taep Jamlaeng Butterfly King, with red, black, yellow, green and white finely painted details. The Amulet is a most delicately painted miniature Objet D’art. Four Ploi Sek Maha Pokasap Gemstones are inserted.

Rear face of Taep Jamlaeng Butterfly King Amulet in pink sacred powders.

Size; 2.8 x 2 Cm

The rear face of the amulet has 13 Ploi Sek of differing kinds, inserted into the Muan Sarn Sacred Powders.

Kroo Ba Krissana Intawano, is along with his accomplice Kroo Ba Beng, of Wat Tanode Luang, one of the only two surviving holders of the secret Wicha of their Kroo Ba Ajarn Guru Master. Namely that of the special method of successfully making Taep Jamlaeng Butterfly King Amulets, whose power is derived from both the psychic and Deity assisted empowerment, as well as from the secret aromatic admixture of Muan Sarn Sacred Powders, Maha Pokasap Gems (ploi sek), and Takrut spells, that are seen to be used with their amulets. 

Below; Taep Jamlaeng Butterfly King Amulet held in the hand for visual size comparison.Taep Jamlaeng Butterfly King Amulet held in the hand for visual size comparison.

This edition of amulets was actually blessed also in duo, with Kroo Ba Beng. This is also not the first novel was it the last time that such a thing has happened, for indeed, they have both the same artisan preparing the designs, for their most beautiful and exquisitely finely crafted amulets. It is Hence, that you will see very similar amulets, at least as far as the front face is concerned, from this edition coming from both of these Guru masters. 

Rear face of the Butterfly King amulet held in the hand

Those which will have a locket of Kroo Ba Krissana Intawano are obviously from that master. Those which possess a nine tailed Fox locket, or Nam Man Prai inserted in the rear face, will almost always be coming from Kroo Ba Beng.  In Thailand of masters are actually seem to be equally powerful, but on international shores, Kroo Ba Krissana Intawano is more well known. There is actually little difference in the power and quality of these amulets, especially considering that both masters have lent their empowerments to both editions from both temples. 

Kroo Ba Krissana Intawano performing the blessing of amulets in a sacred Cave.

Above; Kroo Ba Krissana Intawano performing the blessing of amulets in a sacred Cave. 

It is just a matter of preference as to which devotees prefer which master, but that there is not seem to be any kind of comparison made, or any kind of higher and lower status given to either of these masters

In addition to this, his amulets are also miniatures works of art in their own right. Each amulet is completely unique, and unlike any of its brothers and sisters. This is due to the hand painting, and individual treatment given to each amulet, which will have different coloured gemstones, and different sacred items inserted with each amulet, hence, differing slightly from the one next to it.

Kroo Ba Krissana Intawano

This particular model is a ‘Pim Lek’ (medium sized) Ongk Kroo Masterpiece Version. It is extremely fortunate now to find what still available some years after the release of the edition. This is because, his amulets are nearly always completely sold out in every edition, before the year is over.

This shows the great popularity and collectability and speculating value of his amulets and how sacred they are to so many people. We may consider, that we can still find amulets of great historic masters so many tens of years and even hundreds of years after that passing, but with the amulets of Kroo Ba Krissana Intawano, only one year is needed for an edition of his amulets, to appear to be completely depleted. Each series and edition depletes and disappears shortly after their appearance. This is what we call a true phenomenon. 

Kroo Ba Krissana Intawano

Of course the great beauty of his amulets and their artistic value, also counts much towards the reason why they receive so much popularity.

But if it were not for the fact that they are truly sacred, and have a noticeable effect with their magic, then sheer artistic beauty, would not be enough reason, to make them as popular as they are to this day.

These Butterfly King amulets, were released back in 2553 BE, in a series along with some special coin metallic Amulets. These smaller size models, in pink sacred powder, are extremely recommended for ladies, children, and also of course the gay community. 

2553_BE_edition_Kroo_Ba_Krissana_Intawano_amulets_poster.JPG

 Kroo_Ba_Krissana_Intawano.JPG

View this amulet in the store; Taep Jamlaeng Butterfly King Amulet Pim Lek Pink Powders 16 Gems

Look Om Pong Prai Kumarn Gao Gote ‘Ruam Palang Prai Raeng Twee Kun’ Edition 2554 BE – Luang Por Goy – Wat Beung Gao (Wat Khao Din Dtai)

Look Om Sacred Prai Kuman

Look Om made from pure Sacred ‘Pong Prai Kumarn’ Powders by Luang Por Goy. Released along with the ‘Kumarn Gao Gote ‘Ruan Ruam Palang Twee Kun Maha Choke’ Edition. The Edition features Kumarn Tong, Look Om and Khun Phaen Amulets. Both the Look Om and the Kumarn Tong amulets made in this series are made using the same Sacred Prai Kumarn Gao Gote Powders. This is probably the most Important Look Om Pong Prai Kumarn to have been released for many Years, due to the extreme rarity of the Chanuan Muan Sarn Ingredients and Prai Powders used for the making of this doubly empowered series of Master Amulets. The conditions necessary for obtaining the Prai Kumarn Powders from two sets of 9 bone pots is probably unlikely to occur again for a very long time.

Look Om Sacred Prai Kuman

A Golden Takrut Gao Gote is inserted with some pieces of Chanuan Gao Gote. The Look Om were molded into balls in Luang Pors hands as he gave them 108 different Incantations of the Maha Pokasap and Choke Lap

The Look Om are made from what is considered perhaps the most powerful Prai Kumarn Powders and Magical Herbal Pollen mixture imaginable.

Muan Sarn;

Nine Gote (Gosa = Pot for keeping cremation bones in, and Godha = 10 Millions of gold) with bones from 9 different children who have died in various circumstances (all circumstances fulfilling the necessary prerequisites to be ‘Prai’ spirits) were used to make sacred powders. This is the proper Khmer Formula for this Wicha. The first pot contained the bones of ‘Nong Fon’, of Gumwabee who died by drowning. The second pot contained the bones of ‘Nong Boy’ of Ban Pher, who was killed by a Motor Vehicle crashing into him. The third pot contained the bones of ‘Nong Fai’ also of Ban Pher, who died of a Lung Infection. The fourth pot contained the bones of ‘Nong Hying’, of Ban Pher, who died of Valvular Heart Disease. The fifth pot contained the bones of ‘Nong Khing’, of Hnong Haan town, who died of Malaria (Dengui Fever). The sixth pot contained the bones of ‘Nong Maew’ of Paen village, who died of Dysentery. The seventh pot contained bones from ‘Nong Ham Noi’, who died of Pneumonia. The eighth pot contained the bones of ‘Nong Supa’, of Paen village, who died of German Measles. The ninth and final pot contained the bones of ‘Nong Marie’ of Paen village, who died of Epilepsy.

Look Om Sacred Prai Kuman

All of these Prai Muan Sarn ingredients used in the first edition were donated to Luang Por Goy by the Lay Master Ajarn Gam Chai, who must be thanked along with the Spirits of the Nine Kumarn who have made merit renouncing their Mortal remains for the benefit of helping those who are still living, with Metta Magic.

Muan Sarn Kumarn Gao Gote Wat Beung Gao

The Muan Sarn for the second edition released at Wat Beung Gao, was made from nine bone pots in the same fashion;

The first pot contained the bones of ‘Nong Cha Dam Yen’, of Ban Pher village, who comitted Suicide due to depression. The second pot contained the bones of ‘Nong Ja’, of Ban Pher village, who was run over by a motor car and Died. The third pot contained the bones of ‘Nong Tree’, of Ban Pher village, who Died from Ascites. The fourth pot contained the bones of ‘Nong Fon’, of Ban Pher village who Died by Drowning. The fifth pot contained the bones of ‘Nong Koi’, of Ban Hnong Haan village, who Died of Epilepsy. The sixth pot contained the bones of ‘Nong May’, of Hnong Haan village, who Died of a Lung Infection. The seventh pot contained the bones of ‘Nong Tern’, of Ban Hnong Haan village, who Died of Electrocution. The eighth pot contained the bones of ‘Nong Gaem’ of Paen village, who Died of Dengui Fever. The ninth pot contained the bones of ‘Nong Pimdta’ of Paen village, who Died of Asthma.

Look Om Sacred Prai Kuman

These Muan Sarn ingredients were also donated by the Lay master Ajarn Gam Chai, who wished to donate them fo Luang Por Goy in order to increase his own merits and to make merit for the spirits of the dead Kumarn in the pots, so that they can rise up to higher levels of the Celestial Realms in their next Incarnations.

These amulets face the extreme likelihood of becoming yet another classic and immensely popular edition of power amulets from Luang Por Goy, and we imagine that they will become at least as rare as the first edition, if not more so. This is due to the fact that there are 18 Kumarn within the Muan sarn, wich is a double Gao Gote (9 x 2) – Gote means bone pot, and also means ‘Ghoda’ meaning about ten million. The word is a double meaning wordplay to suggest the nine bone pots used in the making of the first and nine pots of the second edition, and for the ten millions of riches which should be reeled in to your money pot by the merits of the Kumarn. Ten Million would of course be a little too much to expect, but one can certainly expect a noticeable change in ones earnings, professional success, and improvements in ones social and love life. Gamblers of course will be well served with this amulet, which turned out to be effective in its first edition for this purpose.

Kata Look Om Gao Gote

Namaa Mii Maa Mahaa Laapaa Idti Puttassa Suwannang Waa Rachadtang Waa Manii Waa Tanang Waa Piichang Waa Adt-Thang Waa Badt-Thang Waa Aehi Aehi Aakajchaaya Idti Mii Maa Namaa Mihang

The Look Om and Kumarn Tong amulets made from this Muan Sarn, were empowered using the same Time and Astrological alignments, as is believed to have been applied by Khun Phaen himself as he made the Kumarn Tong. These Kumarn Tong Powders have the additional power of ‘Prai Grasip’ (Ghost whisperer) to forewarn of dangers and lucky windfalls.

How to Worship the Kuman Tong

Kata Kuman Tong

Kata and how to worship Look Krok

Luang Por Goy is a very Humble and Simple living Master who is an Adept at the Ancient Khmer Occult Arts. He was a very close friend of Luang Por Chern (Wat Ta Ee). As Luang Por Chern was still alive, Luang Por Goy would often help him to make and empower his amulets and assist in performing the Incantations. The Look om is a Powerful Ancient Wicha for wearing or Bucha on the altar, which is a Genuinely Made Look Om using the Rarest and Powerful Sacred Prai Powders from the bones of the 9 Kumarn (X 2).

Look Om Sacred Prai Kuman

Look Om Pong Prai Kumarn Gao Gote ‘Ruam Palang Prai Raeng Twee Kun’ Edition 2554 BE – Luang Por Goy – Wat Beung Gao (Wat Khao Din Dtai)
$29.99